Meet the Musicians

Keith Hamm, Violist

MUSICIAN PARTNER: Ken & Maureen Sutherland

Keith, a native of Rosebud, Alberta,  is rapidly gaining recognition as a dynamic and exciting young presence on the Canadian music scene. Upon completion of his studies, Keith was named Principal Violist of the Canadian Opera Company Orchestra and has the same position with the Edmonton Symphony Orchestra.

 

Keith was trained at The Glenn Gould School of Music under the instruction of Steven Dann, and at the Mount Royal Conservatory under Nicholas Pulos. Other influences include Pinchas Zukerman, Mark Fewer, Richard Lester, , and  the Chamber Music Programme at Le Domaine Forget.

 

Keith is an alumnus of the International Musicians Seminar at Prussia Cove; the Sarasota Music Festival; Masterclasses at The Banff Centre, and Morningside Music Bridge. Keith has been featured on CBC Radio, Classical 96.3,  and named one of Canada’s Hottest 30 Classical Musicians Under 30 by CBC.

 

A dedicated chamber musician, Keith has shared the stage with Anssi Kartunnen, Ernst Kovacic, Richard Lester, David Geringas and members of the Smithsonian Chamber Players. Keith has been invited to perform at the Ravinia Festival as guest violist with the Royal Conservatory’s ARC Ensemble; the Toronto Summer Music Festival, Ottawa Chamberfest, Stratford Summer Music and at Music By The Sea. Keith performs regularly on the Skylight Series in Toronto’s Distillery District and is co-founder and producer of Stereo Live. He is also the Founder and Artistic Director of The Rosebud Chamber Music Festival. 

Keith in Performance

Marc Destrubé, Violinist

MUSICIAN PARTNER: Betty & Joe Gray

Marc  is equally at home as a soloist, chamber musician, concertmaster or director/conductor of orchestras and divides his time between performances of the standard repertoire on modern instruments, and performing baroque and classical music on period instruments.

 

He is first violinist with the Axelrod String Quartet, quartet-in-residence at the Smithsonian Institution in Washington D.C., where the quartet plays on the museum’s exceptional collection of Stradivari and Amati instruments. He has also performed and recorded with L’Archibudelli (Vera Beths, Jurgen Küssmaul, Anner Bijlsma) and is a member of the Turning Point Ensemble in Vancouver, specializing in 20th century music and new music.

 

A founding member of the Tafelmusik Orchestra, he has appeared with many of the leading period-instrument orchestras in North America and Europe .

 

A highly-respected teacher, he has been a visiting artist/faculty at the Paris, Moscow and Utrecht Conservatoires, Indiana University, Case Western University, Australian National University, Sydney Conservatorium, the MacPhail School, the Banff Centre and the University of Victoria.

 

He is artistic director of the Pacific Baroque Festival (Victoria, Canada), and Artistic Advisor to the New York City ensemble Dorian Baroque.

Marc in Performance

Julie Hereish, Cellist

MUSICIAN PARTNER: Murray and Ruth Cathcart

Julie studied the cello in her native city Montreal, and then in Vienna, Austria. Assistant principal cello of the Quebec Symphony Orchestra since 2015, she cofounded there the piano quartet Quatuor Philanthros and the cello octet Élément 8.

 

Her chamber music activities have brought her on tour all over Canada with Debut Atlantic and Les Jeunesses Musicales du Canada. Julie has played in various chamber music festivals such as Music By The Sea in Bamfield (BC), Rendez-vous musical de Laterrière in Saguenay (QC), Rosebud Chamber Music Festival in Rosebud (AB) and Rockport Music Festival (Massachusetts).

 

She has performed as a guest artist with ARC Ensemble in Toronto and as guest assistant principal cello at the Canadian Opera Company. She participated in concerts of the Toronto series Off Centre Music Salon and Pocket Concert Series. She created, along with actor Pierre Mayer, a musical pantomime for kids called Charlot et Mlle Cello, in honor of Chaplin’s famous character. The show was presented in its symphonic version with the Quebec Symphony Orchestra and will be presented again with the Geneva Chamber Orchestra in Switzerland next December.

 

Julie has played regularly as a supernumerary cellist with the chamber orchestra Les Violons du Roy (Quebec) and has toured with them in North America and in Europe. She is currently assistant principal cello of the Edmonton Symphony Orchestra.

Julie in Performance